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其(qi)實早在(zai)20世(shi)紀70年代，歐(ou)美(mei)(mei)地(di)區就(jiu)有(you)了仿(fang)古(gu)地(di)板(ban)(ban)。因為西方崇尚歷史、追(zhui)求自然(ran)(ran)，借表(biao)面做舊和手刮紋(wen)(wen)的(de)模仿(fang)，開始進入地(di)板(ban)(ban)、家具(ju)制作(zuo)中(zhong)(zhong)。 仿(fang)古(gu)地(di)板(ban)(ban)從誕生(sheng)那天起(qi)，其(qi)與傳統(tong)地(di)板(ban)(ban)的(de)區別，就(jiu)在(zai)于加(jia)入了“文(wen)(wen)化、藝術(shu)、審美(mei)(mei)、理(li)(li)念、訴(su)求、主張、意識”的(de)成(cheng)分。而在(zai)后(hou)來推廣過(guo)程中(zhong)(zhong)，這種“文(wen)(wen)化、主張”的(de)因素被人(ren)為地(di)增強。仿(fang)古(gu)地(di)板(ban)(ban)，也因此被定義(yi)為地(di)板(ban)(ban)中(zhong)(zhong)的(de)“高端(duan)”產品。 隨著人(ren)們對仿(fang)古(gu)地(di)板(ban)(ban)接(jie)受(shou)和喜愛程度(du)(du)越來越大，仿(fang)古(gu)地(di)板(ban)(ban)作(zuo)為工(gong)藝地(di)板(ban)(ban)的(de)一(yi)個重要分支，從接(jie)受(shou)程度(du)(du)上，已經實現了大眾化；從家居風格的(de)搭配上，已經實現了多(duo)元(yuan)化。 仿(fang)古(gu)風格遠(yuan)不(bu)是單(dan)純(chun)的(de)仿(fang)天然(ran)(ran)紋(wen)(wen)理(li)(li)那么簡單(dan)，它(ta)是在(zai)展現木(mu)材(cai)(cai)(cai)本質特性(xing)之(zhi)上再去(qu)實現木(mu)制品受(shou)大自然(ran)(ran)影響后(hou)日積月累形成(cheng)的(de)天然(ran)(ran)屬(shu)性(xing)。 仿(fang)古(gu)地(di)板(ban)(ban)追(zhui)求的(de)是一(yi)種純(chun)自然(ran)(ran)的(de)感(gan)覺(jue)(jue)(jue)。與以(yi)往地(di)板(ban)(ban)相比，仿(fang)古(gu)風格地(di)板(ban)(ban)顯得(de)厚重許多(duo)，它(ta)色彩多(duo)變，以(yi)深色為主，在(zai)保留木(mu)材(cai)(cai)(cai)自有(you)紋(wen)(wen)理(li)(li)基礎(chu)上，又(you)人(ren)為地(di)添加(jia)了斑(ban)節、表(biao)面起(qi)伏等元(yuan)素。 它(ta)所(suo)表(biao)現的(de)是一(yi)種素面朝天的(de)感(gan)覺(jue)(jue)(jue)，只有(you)統(tong)一(yi)之(zhi)中(zhong)(zhong)包含不(bu)統(tong)一(yi)的(de)元(yuan)素，才(cai)能讓地(di)板(ban)(ban)真正實現自然(ran)(ran)的(de)感(gan)覺(jue)(jue)(jue)，千篇一(yi)律的(de)花(hua)色、紋(wen)(wen)使人(ren)產生(sheng)視覺(jue)(jue)(jue)疲勞(lao)。仿(fang)古(gu)木(mu)地(di)板(ban)(ban)的(de)原材(cai)(cai)(cai)料一(yi)般都是由國外進口(kou)的(de)木(mu)種。并不(bu)是所(suo)有(you)進口(kou)木(mu)種都可以(yi)被制作(zuo)成(cheng)仿(fang)古(gu)木(mu)地(di)板(ban)(ban)，只有(you)那些(xie)木(mu)紋(wen)(wen)清(qing)晰，耐磨度(du)(du)好(hao)，適合深度(du)(du)加(jia)工(gong)且本身(shen)具(ju)有(you)質感(gan)的(de)木(mu)料，才(cai)能成(cheng)為仿(fang)古(gu)地(di)板(ban)(ban)的(de)原材(cai)(cai)(cai)料。

In fact, as early as the 1970s, Europe and the United States there is antique flooring. Because the West advocates history, the pursuit of nature, by the surface of the old hand and scratch the imitation, began to enter the floor, furniture production. Antique floor from the day of its birth, the difference between its traditional floor, lies in the addition of "cultural, artistic, aesthetic, ideas, demands, ideas, consciousness," the ingredients. In the later promotion process, the factors of "culture and advocacy" were artificially enhanced. Antique flooring, and therefore is defined as the floor of the "high-end" products. As people accept and love the antique floor more and more large, antique flooring as an important branch of the craft floor, from the acceptance level, has achieved popularity; from the home style with the diversification has been achieved. Antique style is far from simple imitation of natural texture so simple, it is to show the nature of the wood and then to achieve the natural impact of wood products after the natural properties formed over time. Antique flooring is the pursuit of a pure natural feeling. Compared with the previous floors, the antique style floor appears to be a lot of thick, it is changing color, dark-based, while preserving the basis of its own wood texture, but also artificially add a section, the surface ups and downs and other elements. What it shows is a feeling of cosmos, and only the unification includes the elements that are not unified, so that the floor can truly feel natural. The stereotyped colors and patterns cause people to have visual fatigue. Antique wood flooring are generally imported from foreign wood species. Not all imported wood species can be made into antique wood flooring, only those wood clear, good wear resistance, suitable for depth processing and texture of the wood itself, can become antique flooring raw materials.